PAST SERIES
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From the studio
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How to look at a portrait whose face won't resolve
In JoCa's paintings the face is the one thing you're not given, and everything around it is painted with total attention. Five ways to look at the work: what survives,...
How to look at a portrait whose face won't resolve
In JoCa's paintings the face is the one thing you're not given, and everything around it is painted with total attention. Five ways to look at the work: what survives,...
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Nuclear Seed: a metre and a half of interference
A hundred and fifty centimetres square. Red and blue interference runs straight through where the eyes should be, and the white collar beneath it stays perfectly still.
Nuclear Seed: a metre and a half of interference
A hundred and fifty centimetres square. Red and blue interference runs straight through where the eyes should be, and the white collar beneath it stays perfectly still.
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The Dreamer: one gesture, painted nineteen times
The same head, tilted back, face swept away. Across the series the obliteration changes character — from a smear, to a cloud, to a hard horizontal glitch.
The Dreamer: one gesture, painted nineteen times
The same head, tilted back, face swept away. Across the series the obliteration changes character — from a smear, to a cloud, to a hard horizontal glitch.
About JoCa
JoCa works primarily in oil, building portraits that deliberately refuse to resolve — an approach the artist has described as both formal and therapeutic, addressing anxiety, constructed identity and mental health in an era of permanent self-presentation.